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5 Things You Don’t Need To Sell Your Art (And 5 Things You Do)

We’ve all been there. Staring down the barrel of some crazy, ambitious goal, some dream, wondering how the heck we’re ever going to pull it off.

A trend I notice in my own life is a lot of amazing artists and creatives doing awesome work dreaming of someday making a living from it. We want to get started, but we’re missing a lot of important pieces. We look at everyone that’s making it and think we need what they have just to get a foot in the door.

That’s not actually true.

There are all kinds of things we could have before we start selling our art, but the reality is that we don’t actually need most of them. They’re just barriers that we put up to keep from taking a risk and doing what’s really important – actually selling our work.

Here are the top 5 things that you absolutely, positively do not need in order to sell your art (and the top 5 things you actually do need).

Image by *eddie

1. Business Cards

What I really mean when I say “business cards” is any of those standard office items that act as a barrier to getting out there and starting. This could be a printer, a fax machine, an assistant, anything besides your art, really.

Sure, eventually you’re going to need a few things, but they should come as an answer to an actual problem rather than a prerequisite for doing business. Heck, in most cases, you don’t even need a business license to get things going.

You don’t need business cards or any of that other junk, but here’s what you do need: intense focus on your art and simplicity. When you’re trying to get off the ground, you don’t need the self-inflicted resistance that comes with all the business gadgets.

Focus on creating your art and finding people who like it. That’s all that matters right now. Besides, the less you need to run your art business, the less you have to sell to keep running your art business.

2. An Art Degree

Here’s something really important that we should get out of the way. Education comes in so many different forms, and even though a classroom is a valid one, a degree is completely unnecessary if you want to start your own business and sell your art.

There are very few people outside of the corporate world who care if you have a degree and, dare I say, those people are a waste of your time and energy anyway.

Here’s what you need instead: A burning desire to learn and change.

No one who buys your art cares if you have a degree, but they do care that you have an education and an opinion about what you create and sell.

Luckily, those two things are easily attained for a lot less than the cost of tuition. If you have a hunger to learn, you’ll find all the education you need for free.

3. An Agent

Someday you may get to the point where you need someone to look out for you and help make good business deals so that you can focus on creating, napping, and taking exotic vacations.

Today is not that day. In fact, that day just might never come.

There’s nothing wrong with hiring someone to keep your best interest in mind, but always remember that no one cares as much about your art or your business as you do. Learn how to take care of your art business yourself before you outsource it.

You don’t need an agent, but you do need basic business aptitude.

Don’t worry if you haven’t got it now. There are all kinds of ways to pick it up.

The fastest is to just get out there and start doing business everywhere you can. You’ll screw up, lose money, get burned, and learn a lot of hard lessons. But if you keep at it, you’ll fail forward.

The safest way is to read every art and business blog you can, take business classes and start as small as possible.

The best way is probably somewhere in the middle. You’ve already got a great start reading Lateral Action (you smarty).

4. A Masterpiece

If there’s one thing that aspiring artists continually destroy their businesses with, it’s their own self doubt. This is a topic for a whole other discussion, but the thing to take away is that you do not need to create the world’s greatest masterpieces in order to make it as a professional artist.

There’s a market for every type of art and you don’t have to be the very best in the world to sell yours. You just have to be the best in your customer’s world. That means being the best thing available to them in their own sphere of influence.

Think of the last piece of art you paid for. Did you buy it because it was the most technically amazing piece of work you’ve seen or did you buy it because it told a story you liked?

People like art that looks good, but they buy it because it makes them feel good.

Better technique comes with more practice. Practice telling better stories and the technique (and money) will follow.

Here’s another secret the pros don’t tell you. No one paid attention to them when they started either.

People pay attention to things that their friends tell them about. When you’re starting out, your job is to be persistent and tell stories that people want to share.

5. Permission

No one can give the permission you need to sell your art. I totally understand the need for approval – I’ve been there many times myself – but it’s a dangerous rabbit hole to go down.

You see, asking for permission and waiting for approval is a carrot on a stick. Once you decide to chase it, you’re forever grasping. Every step you take is on the back of someone else’s approval and the further you go, the more of it you need.

Not a good place to be.

You don’t need permission or approval to be you and do what you do.

Without doubt, it’s the hardest thing to overcome, but the rewards for doing it are endless. You’re not good enough the day someone tells you that you are. You’re good enough when you’re tired of waiting for that day.

At this stage, skill and aptitude have nothing to do with it. Hard to believe, I know. Truth is, everyone starts out “not good enough.” Only the people that actually start end up becoming good enough.

My Confession

Here’s a little confession: I’m pretty new to the writing world, myself. I’ve got no credentials beyond my award winning book report on Oliver Twist in 10th grade and if we cross paths tomorrow, I’ll have no business card to give you.

Do I write the most beautiful prose you’ve ever read? Heck no. But every day I try to tell stories that connect with people that are like me and it seems to be working.

That’s why I’m writing this post for you. You’re not going to come find me just because I’m here, so I’m out finding you.

The most important thing you can do when you start selling your art is anything. Sure, you’ll get a lot of things wrong, but then you’ll get a lot of them right.

Think of everything you wish you could have before you get started and then imagine how you’d begin if you could never have it.

Start there.

Over to You

Can you think of anything else you don’t need to start selling your creative work?

About the Author: Tyler Tervooren helps extraordinary people improve their lives by doing really scary things at his site, Advanced Riskology. He’s currently on his own quest to join the top 1% of the world.

Tyler Tervooren:

View Comments (60)

  • It's easy to get carried away with the set-up and the dream, and to fail to commit to the output of real art.
    Two things I try to remain mindful of:
    (1) You don't need to be the best, or even in the top 10% or 20% of whatever your niche is to succeed - you just need to DO IT. When people say, "Hey, that's not so awesome, I could do that", the correct answer is, "Great! But...you're NOT doing it."
    (2) Work harder than everyone else AT YOUR ART and you will succeed. You just will.

    • To be lonely is the abscence of another
      To be alone is the prescence of oneself
      osho zen

      At some point in life the unknown of the dark must be answered
      We must all greet the sun at it's dawn
      We will see the sun, we are not sure
      The darkest part of the night ,
      before the thin line of light lines the earth,
      the darkest part is when
      we are the light
      a light upon ourselves

      light of our own realized truthz
      c grenke

  • Ren, #1 is great point and even I sometimes find myself doing it. I'll see someone's handiwork and say to myself, "big deal, I could do that." But I'm NOT doing it, and they are. That's what matters.

  • Hi Tyler!

    Great post and I'd add one for artists looking to sell online:

    You don't need a perfect or expensive website.

    I know a lot of people put off promoting themselves online until they have the best written, best designed website, and quite often it just needs to be good enough.

    Good enough and ticked off is far better than perfect and never finished.

    • Great post. Very insirational for an up and coming artist which I happen to be. Do you know of any good sites to promote yourself and start selling online?

  • Soo true about the agent part.

    My best friend has been trying to "make it" as an artist for as long as I can remember. He's put his faith in so-called agents many times and ended getting better results when he just gets out there and does it himself.

    Most artists can literally talk all day with great enthusiasm about their art and it's meaning, but when it comes to getting out and "selling" it, the excitement turns to fear or laziness.

    For me, when I started seeing the marketing and selling process as art itself, things started to get moving much easier. It helped with the whole "I'm an artist not a sleazy salesman" feeling that a lot of artists face.

  • Tyler,
    You make some good points here. But, I will take issue with point #1. Artists need to treat their business as a business. That means they need to invest in having the proper tools to help them operate the business effectively and professionally.

    Frankly, if someone is constrained by not being able to afford basic business tools such as business cards, and other such things, they are not in a position to create a business model that sells their art.

    It doesn't matter what business a person wants to start, if they are underfunded, lack a solid understanding of the business they are in, or have unrealistic expectations about what it takes to be successful, then they are going to fail.

    That point aside, your other comments are correct. While having an art degree, an agent and a masterpiece can be helpful, they will not overcome a lack of initiative and desire.

    One of my art heroes, Constantin Brancusi, said this: "To see far is one thing; going there is another."

  • Amy - great addition. Selling, online or otherwise, is a process of building up. You don't need to start out perfect, you'll get close enough eventually.

    Andy - When you believe that the art you make can make a difference to people, selling it feels a lot less sleazy. It's a hard mental game to beat for a lot of people, but if YOU don't believe in your product, why would anyone else? Thanks for the comment.

    Barney - Thanks for the input. You say you disagree with point #1, but when I read your response, I think we actually agree. The point I'm trying to make is that when you're starting out, you shouldn't waste your money on things that aren't going to make you more of it or help you expand your influence. Understanding your business is still paramount. I just hate to see people buying all kinds of things they think they need just because they saw someone else that had them. That's never a good "investment" strategy.

  • nice post, tyler. so true about permission--we often wait for experts or others whose opinions we value to give us the green light. sometimes when we talk about projects, etc. too much, fear and doubt creeps in and derails us before we can even get started!

    thanks for the reminders!

  • Hi! Great post and insight Thank you.
    I wonder if where you live makes a difference but here in Canada if you don't have a degree and follow a certain path your work is not taken seriously and the galleries wont show you first and second the your value will never be set for collectors. I think in New York and paris is the same.

    If the goal is to sell, is it still "art" and not something to decorate a living space... I don't know...

  • Believe it or not, this has turned my day around and helped me kick the Bad Attitude of Monday. Thanks.

    Now if only I could carve out some more time to do some hard work in my studio without interruption.

  • A studio!

    So many artists want to go the old route and set up a studio but street art is wildly popular where I live.

    In fact, there are some pieces I've seen locally that have blown me away - what's better is how you can sit down and chat with the people about their work instead of them being smug.

    There's something awesome about wandering around the city and randomly finding a piece of art :)

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