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Creativity: the Least Important, Most Important Thing There Is

Don Draper, the legendary ad man, is facing meltdown.

His agency’s clients are deserting. The partners are squabbling. Redundancies will have to be made. Adland has got wind that Sterling Cooper Draper Price is in trouble.

Don has just returned from a clandestine meeting with Heinz that he hoped would give them a lifeline – but the prospect rebuffed him, saying he wanted to wait and see “if you’re still in business in six months”.

Peggy, his trusted copywriter, asks Don what they are going to do.

We’re creative. We’re gonna sit at our desks typing while the walls fall down around us. Because we’re the least important, most important thing there is.

As usual with Don, the pithy statement is rich with meaning.

On a superficial level, the Heinz executive has just treated him as the “least important” part of the agency by advising him to leave business negotiations to his partners. He’s not the first creative to be patronisingly dismissed by a businessman and he won’t be the last.

And yet, living in the golden age of advertising, Don knows that not just Heinz but all mighty corporations depend on ideas men like him to sell their products.

Yes, the ‘account boys’ in his own agency may be better at landing deals than him, but their livelihood is hanging by a thread too – and Don’s imagination is the only thing that can save them all.

The phrase “typing while the walls fall down around us” is a glancing allusion at the saying “fiddling while Rome burns” – used to dismiss artistic types as hopelessly impractical. But Don’s twist on the cliche is defiant, asserting that creativity is more enduring than the walls of Rome or Madison Avenue.

Faced with disaster, Don’s response is an unshakeable confidence in his creative ability.

The Mad Men episode in which this scene takes place is set in 1965, when ad agencies – businesses that depended on creativity – were anomalies. Now, creativity is critical to the survival of more and more types of business. And faced with the storms of recent years, many executives would give a lot to be as confident as Don that they can save their business with a brilliant idea.

But creativity is more than mere survival to Don.

Reading his words again, I sense relief as well as defiance. Sitting and thinking and typing isn’t just a means to a business end, it’s a refuge in the storm, a way of holding onto meaning and certainty in a chaotic world. Like the writer in Auden’s poem ‘Journey to Iceland’, when “Tears fall in all the rivers”, he “runs howling to his art”.

Ultimately, thinking and writing are Don’s very identity: “We’re creative” he says, as if its obvious they have no choice but to create.

Over to You

How important is creativity to you?

Have you ever used your creativity to deal with a crisis?

What are your favourite words of wisdom from Don Draper?

About the Author: Mark McGuinness is a Coach for Artists, Creatives and Entrepreneurs. For a free 26-week guide to success as a creative professional, sign up for Mark’s course The Creative Pathfinder.

Mark McGuinness: <em><strong>Mark McGuinness</strong> is a an award-winning <a href="http://www.markmcguinness.com">poet</a>, a <a href="https://lateralaction.com/coaching">coach for creatives</a>, and the host of <a href="https://lateralaction.com/21stcenturycreative">The 21st Century Creative Podcast</a>.</em>

View Comments (20)

  • "Ultimately, thinking and writing are Don’s very identity: “We’re creative” he says, as if its obvious they have no choice but to create."

    Yep it is our very breath. We have no choice because creativity is like breathing to us.

    When we don't create we die a slow and seeping death. We are hollow, half-lifes.

    We identify with creativity and it shapes our identity in an organic, real and whole way that goes to the core of who we are, yet flows through us and insists on expression.

    All attempts to withold or contain the flow of our creative selves lead to annihilation of the spirit, the soul or the being.

    Its for these reasons that is is critical in our world right now. The old ways are not working we need innovation and creative options - it is time for all creatives to step up and into their expression fearlessly.
    May all answer their calling.

      • Creativity is like breathing – pointers may help, but we do the process ourselves. Creative clusters, where we gather as peers to develop our strength, are best regarded as tribal gatherings, where creative beings raise, celebrate, and actualize the creative power which runs through us all.
        The most common misconception about creativity is that we would have to leave our current lives in order to pursue our dreams. It is easier for us to use our jobs, families, financial situations, time obligations, etc., as a way (or ways) to keep us "safe" from the anxiety caused by stepping out of our comfort zones into the creative process. When we allow ourselves to be thus thwarted, we deny ourselves tremendous joy. The most effective way to center confront blocks is to form creative cluster groups in the lives we're already leading.

  • I'm with Isaac Asimov on this. Interviewer: "Isaac, what would you do if you had only six months to live?" IA: "Type faster!"

  • I had a conversation with a painter about creativity and business. We both agreed about how difficult it is when the administrative work eats up too much time.

    "I start feeling... off," he said.

    "Like your skin doesn't fit?"

    "Exactly!"

    I don't know how else to describe it. For some of us, the act of creating just *is.* Not doing it isn't an option.

    • That reminds me of a conversation between Jonathan Lethem and Paul Auster, from the Daily Routines blog:

      A typical day, I suppose. A mix of working on the book and dealing with a lot of boring, practical stuff.

      JL: For me, five or six hours of writing is plenty. That’s a lot. So, if I get that many hours the other stuff feels satisfying. The other stuff feels like a kind of grace. But if I have to do that stuff when I haven’t written—

      PA: Oh, that’s terrible.

      JL: That’s a terrible thing.

  • Hm. I think/write/draw therefore I am.
    The very act of procreation is the ultimate creative act of course.
    Yet when Nietzche said
    "The desire to create continually is vulgar and betrays jealousy, envy, ambition. If one is something one really does not need to make anything— and one nonetheless does very much. There exists above the “productive” man a yet higher species."
    He made an interesting point that for me simply questions motive behind the creative act.
    Creation for the sake of artistic self expression, or creation for business and profit.
    I believe the business of creativity is a slippery unless we are truly following the path of the heart!

  • Creation for the sake of artistic self expression, or creation for business and profit.

    I think it's usually a bit of both, even for the 'pure' artists.

  • Hey Mark,

    Creativity is the fuel, and the fire.

    When I haven't been writing for a few days, I feel a little off-balance; words dashing by my ears, willing me to write them down.

    When I finally give in, they stop stalking me so ferociously, and breathe easy again. So do I.

    Creativity lights the labyrinths of my mind, no matter how dark. Colour me obsessed, but I am merely a shade of myself without it.

    Conor

  • To the entrepreneur, creativity is the source of innovation, without which the business will cease to be relevant in the marketplace.

    Creativity is not just important, it is the main thing on which everything else is hinged. Therefore, creativity how we remain relevant in our various field of endeavour. Without creativity we become obsolete.

    Preserving and developing our creativity is the only way we can truly LIVE!

    • Creativity is not just important, it is the main thing on which everything else is hinged.

      What the man said.

  • Our greatest creative act is our lives as they unfold everyday.
    What, you think someone else is making this stuff up?

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